Friday, 17 May 2019

Acrylic Paints blended background and collage journal panel



For this panel I took quinacridone violet, cobalt teal hue and transparent yellow oxide which are all DecoArt Media transparent colours and translucent white which is semi transparent and blended them over a textured gesso background blending with a blending tool and blending foam and rubbing back with dry kitchen paper. When I was happy with the pale colours I then sanded lightly over the surface to reveal some of the white of the gesso below. Using ground espresso distress ink I blended around the edges of the card to give it a more vintage appeal and rubbed a little in the centre too wiping it back with a damp cloth.


Stamp text stamps using watering can archival ink before splattering with a watery wash of paynes grey. Add a collage with wildflower stems and some dried natural accents, ..........


...... a transparent butterfly coated with matte medium to take the shine off of it, .........


......... vintage photo and quote.


I am also sharing this at Country View Crafts project blog today.


xxx



Supplies available from Country View Crafts


Monday, 13 May 2019

Spring Flowers Mini Album for Tando Creative

Here is another little album made for Di to take to Hochanda with her. This time I was inspired by seeing all the beautiful flowers at the garden centres we had visited in March.
I am sharing it on the Tando blog for the Anything Goes theme this week.


Process steps. Pages
1. Cut panels from patterned paper, ink the edges and adhere to the album.
2. When dry sand back the edges and ink again..


3. Use snippets of Tim Holtz  botanical collage paper with decou-page  mate sealer/glue on each panel,sealing the complete surface of each one
4. Sand off any over hangs.

5. Paint the flowers and leaves with watery media fluid acrylics.
6. Add some tiny flowers and words.

7. Repeat the same process steps for the front and back covers.


I used small buttons and thin black elastic to make the closures.


Finished front cover


Finished back cover.

 This is such a cute size 8 x 9.5 cms and feels lovely to hold in the hand and I adore the hand painted flowers and leaves



I am adding this to the mini album makers challenge and happily linking to where there is a wealth of album making inspiration.


Thanks for stopping by and ....
xxx

Friday, 3 May 2019

Book It! A Vintage Journey challenge and Eileen Hull Passport Book

I Just love creating handmade books, mini albums and journals etc and as  a child I was an avid reader but all I seem to read about these days is new techniques and craft ideas etc. :o) x

There is nothing better than curling up with a good book to take us away to another place! This month over at A Vintage Journey we'd like you think about books - perhaps you will make a book, or a journal, create a journal page showing a scene from one of your favourite books (do please tell us what book!) or a card showing someone reading or made using text stamps, stencils or word stickers. Just remember to create in one of our preferred styles of vintage, shabby, mixed media, art journaling, industrial, timeworn or steampunk.


I attended a workshop with the lovely Antonis Tzanidakis last weekend and bought some of his papers and stamps to play with. I decided to use these to make a little grungy, mixed media passport style book.

Process steps
1. Cover some black card with patterned paper - I used Mechanical Fantasy from Stamperia by Antonis. Cut two covers from the die.
2. Cut a spine from mountboard, stamp it with the typewriter from Tim Holtz Inventor set.  Daub some paints over it, stamp it and dip in some watery colour washes using the same as you just used.


3. Add some additional colour to the papers and spine, seal them with matte medium and give a coat of clear crackle glaze and leave it to dry naturally.


4. Paint the back of the covers with the titan buff paint. With a palette knife drag over cobalt blue and quin gold and dry. Stamp. Repeat the dragging over with white gesso. Seal with a coat of matte medium mixed with both the quin gold and cobalt blue and when that is dry again give a coat of the clear crackle glaze and dry naturally.  Also crackle glaze the spine.


5. Brush everything (inside and outside of the covers) with oil paint to get into all the cracks, then rub back with a baby wipe and dry kitchen roll to leave the cracks and crevices aged with the paint.






6. Stick the covers to the spine and add embellishments to the front. It was here I swapped the inside and outside covers over. I prefer the painty layers to the patterned papers.



7. Die cut pages with patterned papers and watercoloured papers and insert them as three signatures  into the booklet using elastic.


My book is now ready to use tor any "Stuff, ideas and things"


I hope you will be able to pop over to AVJ to see some other wonderful creations from the members of the team posting this month and maybe we'll see you joining in as well?

xxx


Stamperia Mechanical Fantasy paper pad - Antonis
DecoArt premium acrylic paint- titan buff
DecoArt Media acrylic paints - Cobalt Teal Hue, Quinacridone Gold
DecoArt Clear Crackle Glaze, Matte Medium
Tim Holtz stamps - Inventor
Eileen Hull dies
Tim Holtz supplies

Thursday, 2 May 2019

Blending acrylic paints technique for DecoArt Media Design Team

I have a post up over on the DecoArt Mixed Media Blog today with a step by step outline of how I experimented with blending acrylic paints using a blending tool.
It all started when I made a vintage tag for Tag Friday on A Vintage Journey at the end of March. You may remember seeing it.


At the time I didn't record how I got that lovely creamy and smooth looking background with the media fluid acrylics, so I set about experimenting with different ways I could re-create it.


So if you have time to  be transported over to the DecoArt Mixed Media blog to see what I found out you'll find all the details there.

xxx

Monday, 29 April 2019

Vintage Photos, Collage, Ephemera and Embellishments.

I love my mixed media work but I also love working with all those things in the title of this post. Today I am using the new Found Relatives Vintage Portraits with some older Tim papers and bits and pieces I keep for creating my vintage collages.


I love this photo of a young girl and her teddy bear, she is sitting so beautifully for the camera and is composed and happy. I bet this portrait became a favourite of her parents.


The heart is a little one die-cut from corrugated card and given a large splattering of white paint and mounted over some linen thread. I also tied the neutral bow to it to give additional interest.


This embellishment below just came about with me finding the small piece of black seam binding and the piece of tape in a box and put them together like this. I wanted the red to continue drawing the eye around the page and the black balances the Heartfelt sentiment  in the other corner.
You can just see some vermillion stamped text, it is randomly dotted over the grungy panel which was the result of a DecoArt project I made for May. So keep your eyes peeled for that coming soon.


A scrap of hessian, red and white borders and the Heartfelt sentiment carry the eyes across the page picking out the textures and patterns. The little red flower is one I made years ago and it found it's way into my box of bits when I disassembled a project it was on. Do you do that too, take something to pieces that you don't want to keep any more and recycle the elements?


I wonder if this little girl is going on a journey as this red and black ticket fitted in perfectly with the colour scheme and the pen nib reflects the idea of typed and written text in the right hand piece of layering paper and of course you just get a glimpse of the red stamped text too. Perhaps she grows up to be a writer or a travel journalist?


I love the kraft, red, white and black palette and as you saw this was created in one of my kraft journals which I think will now become just for paper dolls, lost relatives and photo booth collage art.


xxx

Friday, 26 April 2019

Treasures - stamps and acrylic watercolours

I've been away for two weeks for some sun. 
I had this little tag in reserve and it's perfect to slot it in here.


It's very quickly made and simple to do but I just love the effects.

Process steps
A coat of gesso layered thinly with a palette knife.
Dip, drip and dry with watery prussian blue hue, 2 or 3 dips did the job.


Stamp Andy's fossils and fern in black archival ink. I used the stamp platform to get a really dark and clear image.


Watercolour the images with watery washes of translucent media acrylic paints to get the gorgeous bright tones shining back at you.


Finger paint some colour around the images using the washes and finger daub some neat quinacridone gold at the bottom.


Stamp the title word and blend ground espresso distress ink around the edges.


Not my usual style I know but it came from nowhere whilst trying to get some projects finished and the vintage feel really appeals to me. It's like a n illustration in an old book.


xxx
Supplies
Stencil cover tag from Tando Creative
DecoArt Media Acrylics - quinacridone burnt orange, hansa yellow medium, quinacridone gold, sap green, prussian blue hue, translucent white
Andy Skinner stamps - Stampendous - Fossils