Monday, 18 February 2019

Pitted Enamel Surfaces for DecoArt

Hi it's Brenda here with you today. Back in September I revamped a small panel I had made way back at the beginning of the year and used the 'pitted enamel surfaces' technique to age it a bit more and to seal the surface. I then used it for the front cover of a hand made / hand bound sketch book / journal. You can find that post at Bumblebees and Butterflies - here.


This technique is not brand new and has been around for a while but I have been honing it to use with my fluid media acrylics and mediums.

I got so into it I researched different metals and made a swatch for each one using different colours of media fluid acrylics, metallic paints and some texture sand paste. Let's take a look.

Pitting is a form of corrosion and Wikipedia states that pitting corrosion, or pitting, is an extremely localized corrosion that leads to the creation of small holes in a metal.

Pitted Transparent Enamel
(Enamel is a natural form of quartz. In simple terms, enamelling involves a glass paste being applied to metal and then heated to fuse it to the surface. The finish of the enamel can be translucent or opaque depending on the temperature used to melt the glass. Higher temperatures result in a more transparent and durable enamel while lower temperatures give a more opaque and fragile surface.)
Create a surface that you want to be covered in clear enamel. I chose a piece left over from a previous experiment to use - shown below.



Pitted Surfaces Method
1. Pounce an embossing ink pad all over and cover with Ultra Thick Embossing Enamel (UTEE).

2. Use a scrunched piece of dry paper towel and a small dry paintbrush to remove some of the UTEE to leave some holes or pit marks - tap off the excess.

3. Heat emboss.

4. When cool, rub some Raw Umber/Paynes Grey/Dark Grey/Black paint over and when it is almost dry wipe over with a babywipe to reveal the dark pits in the surface. 

5. When dry repeat step 4 again.

I used Dark Grey Value 3 for the pitting.



Pitted Coloured Enamel
(To give enamel a particular colour, a certain number of special coloured components (pigments and dyes) have to be added. With these, almost any colour can be achieved.)
To begin paint the substrate with any colour you like - with Christmas coming up I used Pyrrole Red.
Repeat steps 1 - 5 above.


This would look great die-cut or stamped and cut out as a pillarbox methinks.


Pitted Gold 1 and 2
To start the first swatch paint the surface of the substrate with gold media acrylic paint.
Repeat steps 1 - 5 above.
I used Raw Umber on the gold.


To start the second swatch paint the surface of the substrate with texture sand paste and dry it. Then give it a coat of gold media acrylic paint.
Repeat steps 1 - 5 above.
Again I used Raw Umber on this one too.


You can see how the sand texture paste added a different texture in places. Variations will occur depending how much of the UTEE you remove before heating it. This next photo shows how much paint I spread on the surface and let almost dry.



Pitted Brass 
For step 1 paint the surface of the substrate with a mix of gold and raw umber media acrylic mixed together. 
Repeat steps 1 - 5 above.
I used raw umber on the brass.


Pitted Silver
For step 1 paint the surface of the substrate with silver media acrylic. 
Repeat steps 1 - 5 above.
I used Carbon Black on the silver.


If you have got any of the DecoArt metallic paints you can try any type of metal finish you want.

Pitted Pewter
Here's a swatch using the Extra Sheen metallic paint in Pewter with Paynes Grey pits.



Pitted Rose Gold
Here's a swatch using the Extra Sheen metallic paint in Rose Gold with Black pits.


I hope these help with any metal embellishments you want to alter or maybe even just create some backgrounds.

You can also find this post over on the DecoArt Mixed Media Blog where I also added a Christmas card with gold and silver pitted bells.

Thanks for stopping a while and .....
xx


Friday, 15 February 2019

Journal pages for Andy Skinner Team

I'm over at the Andy Skinner blog today with these journal pages as my Creative Team sample for January.

I decided to use my vintage journal which is an old book altered for the purpose of adding vintage/mixed media pages. I knew I wanted to create some mixed media layers with mediums and fluid acrylic paints and just went with the church window as my starting point. Little did I know at this point it would have a wedding theme by the end of it!!!


Process Steps
Begin by sealing the book pages with white gesso and leave some of the text/image showing through. Dry.
Apply black modeling paste through several stencils. Dry.


Take cobalt blue hue and medium grey separately on a palette and mix both with glazing medium. Paint them over the pages and then knock back with a damp baby wipe.


Take cerulean blue and white and mix with a brayer to blend over the raised areas and pages. Repeat with white on it's own.


Take a stamp and add some text using watering can archival ink. Scrape some thin gesso over both pages.


Stamp the church window with cobalt and black archival inks x 3, give them an acrylic watercolour wash using prussian blue and cobalt blue dry and cut out. Use vintage photo distress ink to blend around the edges.


To achieve the next layer of colour I did some colour mixing. Using tiny amounts of english red oxide, raw umber, burnt sienna, yellow oxide and burnt umber I got this lovely vintage brown oxide blend. I spritzed, dribble and dried it until I was happy with the effects.


Now assemble the focus elements and embellishments, ink the edges and adhere to the pages.


Also rub a stabilo water pencil round the edges of the die cuts and the stencilled word 'DREAMS' and finally around the edges of the pages and paint with a water brush to darken and create a frame.


Having stamped three windows ideas wandered to a church feel so I chose the happy couple as my vintage focus. That led me to remembering that Ken and I will celebrate a very special wedding anniversary in July and that's where the number came from and the little hearts. The words are remnant rubs.


I thought I'd play along at 'Try it on Tuesdays' where the theme is Romance. I rarely get to share on other blogs or enter challenges these days so this is a bit of a treat.

Thanks for stopping by. Have a wonderful weekend and
xxx


Supplies
DecoArt Media Fluid Acrylics-cobalt blue hue, prussian blue, medium grey value 6, cerulean blue, titanium white, english red oxide, raw umber, burnt sienna, yellow oxide and burnt umber
DecoArt Media mediums - black modeling paste, white gesso, heavy gel medium.
Andy Skinner stamps - Gothic Grunge, Techrauma
Andy Skinner stencils - Creativity, Time Warp, Halftone

Monday, 11 February 2019

Wings and heart, Faux Encaustic Mixed Media - Tando and DecoArt

I thoroughly enjoyed making a series of these long tags for Di at Tando Creative to take to one of her Hochanda shows. I think this ended up as my favourite as well. It's definitely a shabby mixed media piece and I love the look of the heart with it's extremely distressed edges and crackle front and of course the depth achieved with the faux encaustic technique using the DecoArt modeling paste. I am sharing this on the Tando blog today as part of our Love and Hearts week.


1. Seal substrate lightly with gesso using nearly a dry brush so that some areas of the greyboard are still exposed.
2. Dip, drip and dry using media fluid acrylic washes. I used raw sienna, cobalt blue, titan buff, titanium white dark grey value 3.
3. Rub distress ink (Iced Spruce) pad all over the surface and rub with a dry piece of kitchen towel until it's dry
4. Stamp with chalk paint.
5. Collect together embellishments and alter with paint and mediums. I soaked the greyboard items with spritzes of water and pulled at the edges to make them shabby and distressed.
6. Cover the board with clear modeling paste and add some to the back of the embellishments that are going to be included in the faux encaustic layer and settle them into place. The modeling paste acts as a fantastic glue.


Leave to dry for a whole day or night.


7. Paint the hearts, dry them and paint over a layer of clear crackle glaze and leave to dry.


8. Now alter any final embellishments that are going to be added on.


9. When the modelling paste is dry dribble some quinacridone gold around the cogs, splatter with some white fluid acrylic paint, add some writing and add some remnant rubs.


10. Stick the hearts to each other and rub in some white antiquing cream, buffing it off when it is almost dry so you can see the cracks. Add the tiny star brad and some rusty wire



11. Cover with another thin layer of clear modeling paste. Layer in the arrows and heart, again add some modeling paste to the back of them before sticking onto the tag. Put to one side to dry.


12. Assemble all the last pieces to finish your tag.


"The beauty is in the detail."

A word band along yhe bottom, in fact it is a bracelet word band but perfect for a mixed media thin tag. I covered it with titanium white paint, let it dry for a little wipe and wiped it clean leaving the paint in the recesses, then I used some metallic lustres and quinacridone gold paint n the edges.


The stars are some of Di's chipboard pieces, soaked, roughed up, painted and stamped.


I love thr dribbles of rust (watery quin gold) running down the tag and pooling in random spaces. I also added a remnant rub and yes this does indeed make me happy.


I thought when I took this photo that actually the 'skin' on the hearts looks like skeleton leaves - must remember that for another time.


The quote around the tag says -

' Our wings are small but the ripples of the heart are infinite.'

Amit Ray


Perfect. :o) 

xxx

Friday, 8 February 2019

Rusty Faceted Heart

I love combining the shabby neutral look with rusty items and created this card with that in mind. I am also sharing it over on the Country View Crafts project blog today.


To me there's nothing nicer than creams, whites and browns together and to help achieve the look I layered together (from the bottom) card , patterned paper, faux shabby floorboards created with paints and inks and a deckled frame on the top.


The flowers are a mix of the new wildflowers stems with the new funky florals by Tim Holtz. The wildflower in the background was cut from media paper and acrylic watercoloured and distressed whilst the funky florals were cut from a piece of left over cardwhere I had experimented with layering acrylic paints to achieve the shabby look.


The faceted heart was also cut from a left over rust effect piece of card that has been lying in my bits box for ages - this box can be a mine of fabulous inspiration sometimes when an oddment and a die just fit together so perfectly.


The die cuts the multi-faceted shape with score lines which need to be folded and pushed into shape to get the design. You can see the wonderful height and dimension and as a card it is best given to the recipient by hand as it wouldn't survive the post in just an envelope.


I love the way the neutral palette becomes shabby with the textures and the scuffed floorboards, I must make some more pieces to be ready to use for more new creations.


Here you can see the top of the heart and how the rust enhances the contrast in the colour palette.


The same here with the lower part of the heart.


 I'm looking forward to experimenting more with this shape to see how else I can use it perhaps on media boards, canvas boards, small shadowboxes - who knows?


Thanks for stopping by and ......
xxx

Monday, 4 February 2019

Tando colour theme - media board

I am sharing this project on the Tando Creative blog today where we are starting a colour theme.
The colour palette attracted me and I had no idea what I was going to make when I started.
But this is what appeared.


These colours and the image reminded me that Spring is on it's way, they are fresh and bright without being too vivid and one thing I did know was that I needed to mix and blend some of the DecoArt acrylic paints to get the range and effects I wanted. If you look closely although my board is not an exact representation of the photo there are some similarities. The greens are all in the background and I have some darker areas that are similar in colour to those behind and under the flowers and I also have some blooms represented but that's where any similarities end.


I chose (in order from left to right) paynes grey, dark grey & viridian mixed, titan buff, napthol red & titan buff, napthol red acrylic paints and picked up a Tando media board to work on.


Process steps

Begin by sealing the media board with white gesso and squidge it on your craft mat to get the textures started. Dry.
Mix white modeling paste with paynes grey media fluid acrylic and apply through a stencil. Dry.


Mix dark grey and viridian and create some watery wash and drip areas. Dry.


Paint the little hearts with paynes grey, napthol red and titan buff, blending the colours together on the hearts as you paint them.


Brayer a light layer of titan buff, dry and spritz with water and splatter some paynes grey watery wash. Dry.


Use a very small text stamp to create some random writing; sand and ink the edges with brown distress ink.. Create your own word tile - I use computer generated sayings and mount them on a strip of greyboard. Add some pinky red flowers and the heart then you're finished.


I really fell in love with the finished piece. Each layer worked well and the pops of red really pull my eyes in.


Thanks for stopping by and ...........





Supplies
DecoArt Media Fluid ACrylic - Paynes Grey, Viridian, Dark Grey Value 6, Titan Buff, Napthol Red.
DecoArt mediums - White Gesso, White Modeling Paste
Stencil - France Papillon Rusted Rivets Small (from Tando Creative)
Tando Creative media board, mini hearts
Archival Ink - Peat Moss.
Distress ink - Ground Espresso.